Olivier Tate (played by
young actor Craig Roberts), the protagonist in Richard Adoaye’s quiet, quirky,
charming, dark and thoroughly enjoyable film Submarine is a likeable precocious
Welsh boy searching for an identity and direction in the stifling climate of
small town coastal Southern Wales. He tries on affectations: "I've
tried smoking a pipe, flipping coins – listening exclusively to French
crooners, I've even had a hat phase". This quote is immediately followed
of course, with a shot of him at the family dinner table, wearing a Blue
Stetson, looking fairly ridiculous. His teenage flailing about for identity
finds its focus when he discovers the dark and indifferent charms of classmate
Jordana (Yasmin Paige), who lures him into more and more morally reprehensible
schoolyard acts. She is outwardly resistant to his charms except when he is
misbehaving, and seems most allured by his taking part in the bullying of a
fellow school girl. The cast is fantastic, both Paige and Roberts inhabit their
roles fully and believably, while the adult characters (Sally Hawkins and Noah
Taylor as Olivier’s parents), are comically stuck in their own lazy unspoken
despair, too wrapped up in their own ridiculous melodramas to offer guidance to
Olivier. Paddy Considine appears as an almost incongruously broad comic foil
and rival to both Olivier Tate and his father. Adoaye, most famous for his work
on the UK sitcom “The IT Crowd”, who adapted the script from a novel by Joe
Dunthorne, directs the film with care and fills it with beautiful shots of the
beaches, woods and amusement parks of the Welsh Coast. There are aspects of the
film’s plot, details and cinematic style which will appeal to fans of many
other refreshingly offbeat comic films (Wes Anderson’s films in particular) but
the unique characters, acting performances and Welsh character give it a charm
all its own.
Love this film. Spot on review, Dylan!
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